Going Sane...
"It is important to remember that at first flush, going sane feels just like going crazy." (pg.41)
"This week addresses self-definition as a major component of creative recovery. You may find yourself drawing new boundaries and staking out new territories as your personal needs, desires, and interests announce themselves. The essays and tools are aimed at moving you into your personal identity, a self-defined you." (pg. 41)
Crazymakers
"Crazymakers are the kind of people who can take over your whole life. To fixer[uppers, they are irresistible: so much to change, so many distractions....If you are involved with a crazymakers, you probably know it already, and you certainly recognize the thumbnail description in the paragraph above. Crazymakers like drama. If they can swing it, they are the star. Everyone around them functions as supporting cast, picking up their cues, their entrances and exits, from the crazymaker's (crazy) whims." (pg 45)
Crazymakers will:
Notice - the poisonous playmates, the crazy makers, and explore your skepticism.
Pay attention.
Stay in open-mindedness, self-love, and compassion.
READ - The Rules of the Road (pg. 55)
SYNCHRONICITY
"Answered prayers are scary. They imply responsibility. You asked for it. Now that you've got it, what are you going to do?" (pg. 62)
“It’s my experience that we’re much more afraid that there might be a God than we are that there might not be.” (pg. 63)
“C.G. Jung dubbed synchronicity, loosely defined as fortuitous intermeshing of events. Back in the sixties we called it serendipity.” (pg. 64)
"I have learned, as a rule of thumb, never to ask whether you can do something. Say, instead, that you are doing it." (pg. 65)
SHAME
"Those of us who get bogged down by fear before action are usually being sabotaged by an older enemy, shame. Shame is a controlling device. Shaming someone is an attempt to prevent the person from behaving in a way that embarrasses us." (pg. 67)
"For the artist who endured childhood shaming - over any form of neediness, any type of exploration, any expectation - shame may kick in even without the aid of a shame-provoking review. If a child has ever been made to feel foolish for believing himself or herself talented, the act of actually finishing a piece of art will be fraught with internal shaming." (pg. 68)
"....the antidote for shame is self-love and self-praise..." (pg. 71)
DEALING WITH CRITICISM
"It is important to be able to sort useful criticism from the other kind. Often we need to do the sorting out for ourselves, without the benefit of a public vindication...Pointed criticism, if accurate, often gives the artist an inner sense of relief...useful criticism ultimately leaves us with one more puzzle piece for our work." (pg. 72)
GROWTH
"Growth occurs in spurts. You will lie dormant sometimes. Do not be discouraged. Think of it as resting." (pg. 74)
"Practice being kind to yourself in small concrete ways." (pg. 75)
"Be open to receiving gifts from odd channels...try to acquire the habit of checking in with yourself....ask yourself how YOU are feeling. Listen to your answer. Respond kindly..." (pg. 75)
Mantra & Mudra: Chant Saa, Taa, Naa, Maa. With each sound, alternate through four mudras:
Each repetition of the mantra takes 3 to 4 seconds.
Kirtan kriya is practiced in a cycle, in which the mantra is first chanted aloud, then whispered, and finally repeated silently, before the whole sequence is reversed.
To practice for 12 minutes, begin by chanting aloud for 2 minutes. Then chant in a strong whisper for 2 minutes. Then, continuing to cycle through the mudras, mentally vibrate the mantra for 4 minutes. Then whisper the mantra for 2 minutes, and finally chant aloud for 2 minutes.
The time can be extended up to 30 minutes, keeping the proportional sequence of loud, whisper, silent, silent, whisper, loud. To practice for 30 minutes, each part will be 5 minutes in length (with 10 total minutes of silence in the middle).
Eyes: Meditate at the brow point.
Julia talks about Kriyas on page 82.
“When your work doesn’t proceed, you get blocked, if you chant this mantra, then not only it will start, it will start like Infinity.”
-Yogi Bhajan 4/11/77
The practice of this meditation, even briefly, locates you in your heart, opens your perception, and lets you immediately recognize the way forward. Mandhavani means being in the presence of intelligence, beauty, and profound caring. It is a state of joy. It’s when you’re so happy that you feel the hand and grace of God accompany each breath and effort. In that state all victory is yours and there is no victory to win but to conquer your own heart.
Posture: Sit in a comfortable cross-legged position with a straight spine.
Mudra: Bring the hands in front of the throat, forearms paraIlel to the ground. The left hand is palm down; the palm is flat and the fingers point to the right. Extend the left thumb toward the throat. Bring the right thumb between the left thumb and index finger, placing it in the center ofthe left palm and allow the fingers of the right hand to rest on the back of the left hand. Lock the right thumb in place and apply firm pressure on the left palm. Hold the position at the level of the throat about six inches in front of the body.
Eyes: Closed
Mantra: Aad Sach, Jugaad Sach, Hai Bhay Sach, Naanak Hosee Bhay Sach
Breath: Inhale deeply and completely exhale as the mantra is chanted in a monotone. Inhale and continue.
Source: https://www.3ho.org/meditation-2nd-sutra-mandhavani-kriya